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001 978-3-319-58316-7
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020 _a9783319583167
_9978-3-319-58316-7
024 7 _a10.1007/978-3-319-58316-7
_2doi
050 4 _aQA76.9.U83
050 4 _aQA76.9.H85
072 7 _aUYZG
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082 0 4 _a005.437
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082 0 4 _a4.019
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245 1 0 _aMusical Haptics
_h[electronic resource] /
_cedited by Stefano Papetti, Charalampos Saitis.
250 _a1st ed. 2018.
264 1 _aCham :
_bSpringer International Publishing :
_bImprint: Springer,
_c2018.
300 _aXV, 285 p. 107 illus., 58 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aSpringer Series on Touch and Haptic Systems,
_x2192-2977
505 0 _aIntroduction -- Part 1- Haptics in Musical Interaction: Psychophysics and User Experience -- A Brief Overview of the Somatosensory System -- Once More with Feeling: The Dynamics of Performer-Instrument Interaction -- Perception of Vibrotactile Cues in Musical Performance -- The Role of Haptic Cues in Musical Instrument Quality Perception -- A Functional Analysis of Haptic Feedback in Digital Musical Instrument Interactions -- Auditory-Tactile Experience of Music -- Part II - Haptic Musical Interfaces: Design and Applications -- The MSCI Platform: A Framework for the Design and Simulation of Multisensory Virtual Musical Instruments -- Implementation and Characterization of Vibrotactile Interfaces -- Touchscreens and Musical Interaction -- Design of Vibrotactile Feedback -- Haptic Force-Feedback Instruments for the Laptop Orchestra of Louisiana -- Haptics for the Development of Fundamental Rhythm Skills Including Multi-Limb Coordination.
506 0 _aOpen Access
520 _aThis Open Access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces. Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance.
650 0 _aUser interfaces (Computer systems).
_91182
650 0 _aMusic.
_93779
650 0 _aCognitive psychology.
_96154
650 1 4 _aUser Interfaces and Human Computer Interaction.
_0https://scigraph.springernature.com/ontologies/product-market-codes/I18067
_91183
650 2 4 _aMusic.
_0https://scigraph.springernature.com/ontologies/product-market-codes/417000
_93779
650 2 4 _aCognitive Psychology.
_0https://scigraph.springernature.com/ontologies/product-market-codes/Y20060
_96155
700 1 _aPapetti, Stefano.
_eeditor.
_4edt
_4http://id.loc.gov/vocabulary/relators/edt
_96156
700 1 _aSaitis, Charalampos.
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_4edt
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_96157
710 2 _aSpringerLink (Online service)
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776 0 8 _iPrinted edition:
_z9783319583150
776 0 8 _iPrinted edition:
_z9783319583174
776 0 8 _iPrinted edition:
_z9783030096298
830 0 _aSpringer Series on Touch and Haptic Systems,
_x2192-2977
_96158
856 4 0 _uhttps://doi.org/10.1007/978-3-319-58316-7
912 _aZDB-2-SCS
912 _aZDB-2-SXCS
912 _aZDB-2-SOB
942 _cEBK
_w1
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999 _c1251
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773 _tSpringer Nature Open Access eBook